ST. KITTS - CULTURE BEAT

ST. KITTS  - CULTURE BEAT
St. Kitts Department of Culture is Always on the Beat!

Monday, November 7, 2011

"RESISTANCE IN ST. KITTS" - LECTURE SERIES - UNESCO NATIONAL SCIENTIFIC SLAVE ROUTE PROJECT

On Tuesday November 8th 2011 at 7:00pm "UNESCO National Scientific Slave Route Project" Committee invites the General Public to a lecture hosted at the University of the West Indies located at The Gardens Basseterre St. Kitts presented by keynote speaker Victoria Borg O'Flaherty entitled, "RESISTANCE IN ST. KITTS".

"Victoria Borg O'Flaherty is the Director of Archives at the National Archives of St. Kitts-Nevis.  She has a degree in History from the University of Malta and an M. Litt. in Archives and Records Management from the University of Dundee.  She was the secretary of the Caribbean Branch of the International Congress on Archives (CARBICA) from 2003 to 2005 and has served and continues to serve on several Advisory Committees dealing with education and culture.  In 2009 she coordinated the Caribbean's successful proposal for the inclusion of the Slave Registers of the Caribbean  in the UNESCO Memory of the World listing and produced the website www.historicbasseterre.com  Her research interests include Kittitian Labour history and resistance to enslavement.  Her research has been featured in a number of prestigious books on Archival Studies and History".



The UNESCO National Scientific Slave Route Committee plans to have a series of lectures that attempt to stimulate dialogue about coming to terms with our colonial past in order to move into the future with a positive outlook.  "The Lecture Series will be organized around three sub‐themes entitled “The Decolonization of the African Mind – An Imperative for the Future”; “Towards a Pan‐Africanist Manifesto: Caribbean Civilization in the context of African Renaissance” and “Demystifying the Reparations Debate”. It will explore and encourage debate about the deeper ontological and epistemological characteristics of the “African‐condition”, i.e. what it means to be a person of African descent in a world which leaves no 
room for who and what we are as “black” people and where the “universal” seems to naturally mean 
“white” (which includes the values and belief systems, and knowledge bases that underpin the Eurocentric 
political, economic and cultural world order in which we live today).



The Series will seek to explore this notion of “Afrian‐ness” and what it means to be part of a community 
whose experience appears to be “…unique, with its deportation of populations, its transfer of people 
from one continent to another, its distant memories of old beliefs, its fragments of murdered cultures”
(Cesaire, 2004, 82). It will expose the central violence dealt by the Maafa on the African indigenous 
people and people of African origin – the “deculturalization” of the African mind. “Deculturalization” is 
the term used by the enlightened black intelligentsia to refer to the three‐part process designed and 
perfected by the European ruling elite that 1) denigrates and alienates blacks from their African cultural 
heritage, i.e, African languages, religions, customs etc; 2) teaches them to value only the cultural 
orientations, i.e. languages, religions, customs etc, of Europeans and 3) to assimilate them into a Eurocentric 
political, economic, social and cultural order as their faithful supporters and defenders.

The 
deculturalization of the African mind is the root cause behind the apparent intergenerational 
predisposition among Africans and people of African descent to embrace dysfunction and disunity 
within the family and community, “conceptual incarceration”1 and ‘learned indifference”2. It is only 
through a rejection of its underlying tenets and the embrace of “African‐ness” through the 
“decolonization” of the mind can Africans and persons of African descent counter the Maafa and begin 
to conceptualize and envision an alternative and global project of society and civilization steeped in 
African cultural norms and fuelled by a spirit of collective solidarity". Nery's Chiverton - Committee Member, UNESCO Scientific Slave Route Project

Press Release (07/11/11)
"Resistance in St. Kitts"
UNESCO  National Scientific Slave Route Project
St. Kitts Department of Culture
Research & Documentation Unit
Email: stkittsculture@gmail.com
Tel" (869) 467-1396

Friday, November 4, 2011

"DRUM IT UP" DRUMMING EXPO - FRIDAY NOVEMBER 4TH 2O11 AT CARNIVAL VILLAGE

Sweet Sounds will be hosting a Youth Drumming Expo, the first ever of its kind, under the theme "Drum It Up".  This event will be held on Friday November 4th, 2011 at Carnival Village at 7:00pm.  The Youth Drumming Expo will showcase over fifteen (15) young men from St. Kitts performing in two(2) segments: the first segment, the young men (accompanied by other musicians/band) will be drumming original pieces arranged by themselves and the second segment, the young men would be doing solo pieces.

HISTORY OF "SWEET SOUNDS" EVENT
In an effort to promote Acoustic Drumming in the Federation of St. Kitts and Nevis,Sweet Sounds hosted a six (6) day workshop from August 15th – 20th, 2011 at the Beach Allen Primary School for youths ranging from 8 – 17 years of age.
The objectives of the workshop were:

·         To educate the Federation’s Youth about the art of Acoustic Drumming;
·         To preserve such music that is indigenous to our culture;
·         To motivate and discipline our youths that appear to have resorted to deviant behaviour.

The Workshop consisted of approximately forty (40) participants (boys and girls) and five (5) facilitators including Mr. Oflyn “One Boot” Rogers, Kapeto, Mr. Anelto Wilkin and Mr. Marvin Shelford.  Over the course of the Workshop, the participants learned techniques and different types of drumming as well as learning to possess the right attitude in life and reaching for goals.  The participants were taught/trained using different mediums such as videos and practical application.

The Workshop climaxed with an energizing expedition of music and drumming talent on Saturday, August 20th, 2011 in the Independence Square.  This event was sponsored by LIME.   The presentations showcased what was learned by the various participants over the course of the week.  Onlookers, supporters and parents were marvelled at the presentation.  At the end of the showcase in the Square, the participants were presented with a bag pack sponsored by LIME and drum sticks and T-Shirts sponsored by National Bank. 

 In promotion of the above mentioned Expo, Sweet Sounds hosted another expedition in the Independence Square on Friday, October 7th, 2011 from 4:00pm.  This expedition showcased sample performances of the wonderful, skillful art of Acoustic Drumming by the participants of the Drumming Expo.  Just a taste of what is to come!


Press Release (13/10/11)
By Atnel Pemberton - Sweet Sounds"Drum It Up"

St. Kitts Department of Culture
Research & Documentation Unit
Email: stkittsculture@gmail.com
Tel: (869) 467-1396

Thursday, November 3, 2011

UNESCO SLAVE ROUTE PROJECT ST. KITTS AND NEVIS "LECTURE SERIES & CONSULTATIONS"


On September 14th 2011 Mr. Lloyd Lazar - Chairperson of the "Lecture Series and Consultation" Sub-Committee was welcomed by "UNESCO National Scientific Slave Route Project" Committee Members.  Since then he has been meeting with his Sub-Committee Members; Thelma Richards, Lisa Pistana, Randolph Hamilton, Halstead Byron, Golda Franks and Pierre Liburd to bring an interesting selection of presenters to lecture. 

Leading up to each Lecture consultations will take place with High School Students, then Children in Primary School in both St. Kitts and Nevis.  The first Consultation will be held in St. Kitts at the University of the West Indies on Thursday November 3rd 2011, former Governor General and Historian Sir Probyn Inniss will discus the theme "Decolonization of the African Mind - An Imperative to the Future" with High School students. A different person will present in Nevis at the Red Cross Building.

As part of a Global initiative by UNESCO to recognize sites and places of memory linked to the transatlantic slave trade, St. Kitts and Nevis National Commission for UNESCO and members of the UNESCO National Scientific Slave Route Project began executing  the following activities in April 2011 to sensitize the public; 

Researcher Leonard Stapleton is compiling an Inventory of Slave Sites in St. Kitts and Nevis, which will be identified on a Map, Chairperson Michael Blake is working with Committee Members to create a booklet about local Black History and the experience of slavery in St. Kitts and Nevis in anticipation of it being used as a teaching tool, and a Teacher's Workshop will be held to empower teachers to use materials of local history supported by site trips to impart more value in the learning experience for their students.
Press Release (03/11/11)
St. Kitts Department of Culture
Research & Documentation Unit
"Student Consultations" UNESCO Slave Route Project
Email: stkittsculture@gmail.com
Tel: (869) 467-1396

Monday, October 24, 2011

TAIWANESE ALL FEMALE ORCHESTRA "MUSOU BAND" PERFORMS AT THE EASTERN CARIBBEAN CENTRAL BAND ON SUNDAY OCTOBER 30TH 2011



On Sunday October 30th 2011 at 7:00pm the all female Orchestra “Musou Band“ from the Republic of China (Taiwan) will perform at the Eastern Caribbean Central Bank.  

Members of the “Musou Band” are scheduled to arrive in St. Kitts and Nevis for the first time at the Robert Llewllyn Bradshaw International Airport on Friday October 28th at 10:00pm and will be received by the office of resident Ambassador of the Republic of China (Taiwan) His Excellency Li-Jay Tsao.

"Musou Band" was founded in 2008 with the help of Liu Shueh-shuan, an assistant professor of traditional Chinese music at Chinese Cultural University.  They have been traveling extensively in Taiwan and all over the world.  Now, they will be sharing their traditional culture and music with the Federation of St. Kitts and Nevis.





INTERNET LINKS:



Video:



Articles:




Press Release (24/10/11)
St. Kitts Department of Culture
Research & Documentation Unit
"Musou Band" Performs at Eastern Caribbean Central Bank
Tel: (869) 467-1396

"BUSINESS OF MUSIC INDUSTRY SKN WORKSHOP" OCT. 29TH 2011 ST. KITTS DEPT. OF CULTURE & UNESCO NATIONAL COMMISSION

The St. Kitts Department of Culture in collaboration with the UNESCO National Commission is hosting a workshop entitled "Business of the Music Industry SKN" with Warren Cassell, Attorney at Law specializing in Intellectual Property, Media, Entertainment and Sports Law, Saturday October 29th at "Sweet Lime-Mapau" located at Port Zante 9:30am - 4:00pm.

ALL PARTICIPANTS MUST REGISTER AT ST. KITTS DEPARTMENT OF CULTURE TO CONFIRM THEIR ATTENDANCE AND SECURE A SPOT AT THE WORKSHOP BY WEDNESDAY OCTOBER 26TH 2011 4:00PM. LIMITED SEATS ARE AVAILABLE!

This workshop is an extension of the activities executed by the Advisory Committee for the St.Kitts and Nevis National Cultural Policy funded by the UNESCO National Commission to inform Artists and Practitioners who provide support services in the Music Industry about best practices.

"This long- awaited and timely initiative is designed to empower you with a working knowledge of critical areas in the music business such as Agreements used in the music industry, music publishing and right of publicity.

It is with this in mind, that I extend an invitation and urge you to make use of this great opportunity to build your capacity by arming yourself with the knowledge to avoid exploitation and the pitfalls of the music entertainment business".  Creighton Pencheon-Director of Culture


Warren Cassell is an Attorney at law specializing in intellectual Property, Media law, Entertainment and Sports law.  He is the founder of Cassell & Lewis formerly "Cassell Law" the Eastern Caribbean's only full-serviced intellectual property law firm.  Mr. Cassell attended University of the West indies where he obtained a Bachelor of Laws degree in 1998.  In 2003 he graduated from the Golden Gate University in San Francisco, California with a Masters of Law (LL.N) in Intellectual Property focusing on entertainment and sports law.  His experience and qualification has equipped him with tools to provide a significant number of clients in the creative industries, with a unique perspective on intellectual property issues on which he is consulted.  Mr. Cassell served for two years (2003-2005) as the exclusive agent for the Performing Rights Society (PRS) in the Eastern Caribbean.  In 2004 to 2006 he served as a legal adviser to Antigua & Barbuda's Carnival Development Committee Board.  During that same period he was manager to Soca Diva Claudette Peters and the band Taxik.

LINKS


Press Release (24/10/11)
St. Kitts Department of Culture
Research & Documentation Unit
"Business of the Music Industry Workshop"
Tel: (869) 467-1396




Tuesday, August 23, 2011

ST. KITTS-NEVIS NATIONAL CULTURAL POLICY LAUNCH HIGHLIGHTS


St. Kitts and Nevis continues the process of moving Towards a National Cultural Policy with Consultations facilitated by the St. Kitts-Nevis Departments of Culture in collaboration with UNESCO National Commission.  The Consultation process began On Tuesday June 22nd 2010 with the arrival of consultant Sydney Bartley - Director of Culture in the Ministry of Education,Youth and Culture in Jamaica and will continue with various stakeholders on Monday August 22nd to Saturday August 27th 2011.


The process has been fueled by the UNESCO National Commission in collaboration with Advisory Committee Members who have been working behind the scenes to sensitize the public about development of the National Cultural Policy and organizing the upcoming consultations that will be held with St. Kitts and Nevis Ministries of Education, Tourism, Foreign Trade, Nevis National Cultural Foundation, the Carnival Committee, the Artistic and Music Community, Youth Organizations, Religious Groups and the public.


On June 14th 2011 St. Kitts and Nevis Launched the National Cultural Policy at the Eastern Central Caribbean Bank in Bird Rock St. Kitts.  The audience was invited by Master of Ceremonies Sharon Rattan - Permanent Secretary for St. Kitts Department of Culture, to join her in the National Museum re-created on stage, to learn about the importance of having a Cultural Policy.  Speeches from the Honorable Marcella Liburd - Minister of Culture, Antonio Maynard - Secretary General for UNESCO National Commission, Honorable Nigel Carty Minister of Education with responsibility for UNESCO and Honorable Hensley Daniel Nevis Minister of Culture were interspersed with a number of theatrical and cultural presentations.  


In February 2010 Ms. himalchuli Gurung - Program Specialist for Culture UNESCO Kingston Cluster Office met with Antonio Maynard, Secretary General for St. Kitts-Nevis National Commission for UNESCO, Sharon Rattan - Permanent Secretary for St. Kitts Department of Culture and Creighton Pencheon - Director of St. Kitts Department of Culture to inform them that UNESCO's Participation is in full support of funding the establishment of a National Cultural Policy for St. Kitts and Nevis. 


Since then, the move "Towards a National Cultural Policy" for St. Kitts and Nevis has seen the creation of a National Advisory Committee that consists of a variety of representatives some from the National Trust, Brimstone Hill Fortress, Ministry of Education, the National Archives, Department of Culture and different stakeholders from both St. Kitts and Nevis.


This week the Ministry of Culture in collaboration with the UNESCO National Commission invites all interested persons in our community to attend a number of important meetings with Mr. Sydney Bartley a consultant from Jamaica who is expected to meet with persons involved in Fashion Design, Heritage preservation, Visual, Dance, Drama Literary and Culinary Arts on Tuesday 23rd August at 2:00pm at the NEMA building, then later that same afternoon at 5:00pm he will meet all persons involved in music. Then on Wednesday 24th August at 6:00pm he will meet with persons at a town hall meeting at the Anglican Church Hall, Sandy Point.  On Thursday August 25th and Friday August 26th Mr. Bartley will be visiting stakeholders in Nevis.

Check the following link for photographs from the consultations 
http://www.facebook.com/pages/St-Kitts-Department-of-Culture/117273781646746?sk=photos

Press Release (22/08/11)
St. Kitts Department of Culture
Research & Documentation Unit
St. Kitts-Nevis National Cultural Policy


Monday, August 15, 2011

In the Footsteps of the Ancestors – The UNESCO Slave Route Project

By Deniece Alleyne

As a small child I was very much mesmerized by Africa. My parents took a keen interest in the developments in South Africa in the waning days of the Apartheid regime in the late 1980s and would take any opportunity to watch the struggle unfold on television. I was a young child then and did not understand much of the significance of what I was seeing but I knew it was important.

My first memorable experience, however, was the horrific 100 days in early 1994 when the Hutu government in Rwanda unleashed a reign of terror on the Tutsi population and massacred nearly one million men, women and children in what is antiseptically known as ethnic cleansing.

I devoured every bit of news about that genocide and have a distinct recollection of feeling relief, thanking God that my ancestors had escaped Africa through the slave trade and, even then at 12 years old, feeling uncomfortable about that train of thought.

I understood enough to know that Africa mattered to me and that was as it should be but my image of the continent was unquestionably dark based on nothing but news reports of death, disease and disaster and I simply could not associate myself with that. I know that this is a common reaction of those of us in the Diaspora that, unfortunately most never grow out of.

My first inkling that something was very wrong with this view was the world’s reaction to the genocide in the Balkans. Europe and the United States went to war against Serbia to stop the ethnic cleansing of a few thousand Europeans. This was in stark contrast to the treatment of one million Africans in danger of being butchered where the United Nations made a hasty escape and the world simply ignored the crisis.
I began to wonder then, as a sixteen year old, whether there might not be a deeper meaning to this very different reaction and how my own experience, including that of my ancestors, could be better understood. Could I, and more importantly should I really be thanking God for the trans – Atlantic trade in enslaved Africans and the system of multi – generational racial slavery that endured for several hundred years as a result?

I did what my father had taught me from my earliest days. I dived into books on the subject, many of the best of which were written by fellow Caribbean people who I firmly believe went through the same development of consciousness that I did. Names like Walter Rodney, Eric Williams, CLR James and others are generally well known but their work is not. Perhaps that is why the Africans, and that is what we are, in this Caribbean section of the Diaspora are still so helpless to follow the sage advice of one of our most recognized and revolutionary griots and emancipate ourselves from mental slavery.

The Africa that most of us are so afraid of and appalled by is not the result of the natural passage of time. It is not the result of a deficit in development that is caused by their and our failure to adapt to the modern world. It is not the result of intellectual inferiority and neither is it caused by traditional religion; what we know as obeah. All of these theories, which are implicitly believed by most although we would never admit to it amount to nothing more than egregious slander.

No one at the dawn of the early modern age at the beginning of the 1400s would have predicted that over the next six centuries the many nations of Africa would deteriorate from, in many cases, sophisticated and complex societies on the cusp of the agrarian revolution and very much equal to the feudal societies of their European trading partners into the repositories of so much suffering and backwardness that we see today.
If we sit and really think about the matter it would become immediately apparent how simply ludicrous it is to believe that the forcible, permanent and brutal deportation of millions of people in their most productive years from Africa, over centuries, and scattering them from New England in the north to Argentina in the south and throughout the Arab world to as far as India while obliterating the ethnic, social and cultural institutions that it took those societies millennia to build would have no effect.

When the triangular trade began in 1501, with the first arrival of Africans in the Americas on Hispaniola the population of the entire world was only around 1.5 billion people. The slave trade out of Africa represented a demographic, economic and social disaster on an epic scale. Scholars believe that over the four principal trade routes four million slaves were exported via the Red Sea, another four million through the Swahili ports of the Indian Ocean, perhaps as many as nine million along the trans-Saharan caravan route into the Arab world, and eleven to twenty million across the Atlantic Ocean. This represented a significant proportion of the population of the continent.

Scholars have further proven that the trade was not only of demographic significance, in aggregate population losses but also in the profound changes to settlement patterns, epidemiological exposure, i.e. to strange diseases, and reproductive and social development potential. In addition, the majority of the slaves being taken to the Americas were male. So while the slave trade created an immediate drop in the population, its long term effects were even more drastic. The agrarian revolution, an important and necessary precursor to the industrial revolution, was cruelly aborted in Africa and still has not been accomplished.
Yet, this was not all. Right after the suppression of the Atlantic trade the scramble for Africa began and with it the oppression of hundreds of African populations increased dramatically as colonization developed. When the Europeans left after 150 years the results were as undeniable as they were terrible. This is the cause of our modern reality and while it does not condemn us or Africa to a debilitating fate that cannot be over come, understanding these origins provides the much needed context for any thrust towards development.

I am now rather embarrassed that I could even contemplate gratitude to God as an appropriate response to the dehumanization of my ancestors then and kith and kin today, even as a child. Instead I am often in awe of the strength of character that it took to survive that and am amazed that in the Americas today, from that tine seed that should have died, there are over ¼ of a billion people that are recognizably of African descent.
Not only did our ancestors survive the unimaginable but they kept and passed on a culture that created jazz, reggae, the epic poem Omeros, blues, development economics, peanut butter, salsa, Usain Bolt and other achievements too numerous to mention. I often wonder whether we today have what that took. How do we honour their achievement? We can begin by tracing their footsteps.

Press Release (10/08/11)
Deniece Alleyne - Public Relations Committee
St. Kitts-Nevis UNESCO Slave Route Project